Movie Review - 'There Will Be Blood'
Thursday, January 3, 2008 at 11:00PM There Will Be BloodStarring Daniel Day-Lewis, Paul Dano, and Dillon Freasier
Directed by Paul Thomas Anderson
Rated R
For two-and-a-half hours,
Daniel Day-Lewis assaults and batters the screen, other actors, and very
likely your preconceived notions of what acting really is.
Playing the ruthless oil baron Daniel Plainview in Paul Thomas Anderson's sweeping There Will Be Blood, Day-Lewis is a combination of Charles Manson and Charles Foster Kane, all ambition and spite, wrapped in barbed wire, and one misread glance away from ripping your throat out.
Day-Lewis plays Plainview with an absolute singularity. It goes beyond coldness or being calloused; In his mind, he is doing the right thing because he always does the right thing, because when there's only one opinion that matters it's always the right one. Ironic, then, that he's named Plainview.
There is more to marvel at in Anderson's production, though it tends to fade into near nothingness in comparison to the mammoth presence of its leading actor. The turn of the 20th Century oil fields and undeveloped California land that Plainview is so maniacally interested in devouring provide a hushed, almost somber tone to the story, which draws its inspiration from the Upton Sinclair book, Oil.
The supporting performances, by Little Miss Sunshine's Paul Dano and by young Dillon Freasier are equally unique, and while both are integral to Plainview's journey, they are simply that: Performances that add a little weight and the occasional serve and volley to Day-Lewis.
Jonny Greenwood's musical score is stout and foreboding. And Anderson treats this story as bigger than one man; it could very well be the story of greed that has formed most corporations in the past century and a half symbolized through Plainview.
The production looks and sounds authentic, which you can't say of every period piece and should not go unnoticed. Anderson directed Boogie Nights nearly ten years ago and at the time, he was a wildly imaginative storyteller whose maturity needed to match his energetic artistry. He's done that here, surpassing anything else he's ever made.
The same goes for Daniel Day-Lewis, for whom the same never goes.



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