Fearless Forecast - 'Hancock,' Will Smith Will Own The Fourth of July

'Dark Knight' Cast Members Weigh Ledger's Oscar Chances

Says Christian Bale, who, of course, shares significant screen time with Ledger in the film, "A lot of people talk about awards all the time, and it's early days. But if anybody deserves it, of course, it is Heath in this."
"I do think that Heath has created an iconic villain that will stand for the ages, and of course, I would love to see him get an award," Bale continued. "But you know, to me, you can witness his talent, celebrate his talent within this movie. Anything else is gravy."
Gary Oldman, who like Bale has mysteriously never earned an Oscar nomination himself, admits, "I think it's an incredible performance. I think it sets a new benchmark. It would surprise me if he didn't get a posthumous Oscar for it." And from Maggie Gyllenhaal, who replaced Katie Holmes in the role of Rachel Dawes for The Dark Knight, we get this highly analytical review:"He hit it in the entire performance. It's so difficult to do that in a huge movie like this and much easier to do in the tiny movies. That's why those are always the people who win Academy Awards. Heath was (amazing); it's so unusual, and it happens really rarely even for the best actors, that you just hit this stride in a role and you're totally free. And when that happens, you can do no wrong. It's incredible to be around, and that's what it was like with him."If the performance really does live up to all the talk - and there's every reason to suspect that it does - then not only will Ledger get an Oscar nomination (and likely a win), but he will have earned it for what he did in the film and not for the fact that he can never do it again.
Trailer - 'The Day the Earth Stood Still'
Without rehashing the entire premise behind our theory, there are remakes that need to happen, remakes that can be good if handled properly, and movies that should never be touched. I think the original Day the Earth Stood Still needs to be remade, and I'll tell you why. It's been over half a century since the original, which is a great film, don't get me wrong. But part of its appeal now is purely camp. The staging and the effects are so magnificently cheesy that we respond more to that than we do the story.
Our level of sophistication for telling not just science fiction stories but specifically planetary invasion stories has advanced quite a bit since 1951. It would be a shame if we didn't remake this movie based on the things we know now and the way we're able to make more believable sci-fi.Movie Trailer - 'Blindness' from 'City of God' Director Fernando Meirelles
I would put it to you, sir or madam, that 29 years from
now,
City of God will ascend to the upper ranks
of the greatest films ever made. Its reputation will move it past quite a few
international and American films alike for one reason: It's simply better than
almost any other movie ever made.
So director
Fernando Meirelles has that to live up to. His
follow-up, The Constant Gardener, was not an instant smash and didn't
create anything new and different. It was very good, though, and Meirelles'
position as one of the better up-and-coming filmmakers was undeniable.
It makes sense, then, that his next film would open the
competition at this year's Cannes Film Festival. But
Blindness was not warmly received there. I
wouldn't worry just because of that, though; they have made many bad choices
over the years. (Fahrenheit 9/11 wins the Palme D'Or? Really? Go back and
watch it again. It's not that good, even as a shrieking polemic.)
We will try to keep an open mind about it despite or
admiration for the director and the less-than-overwhelming festival press it has
recieved. As you can tell from the trailer, it's still a doozy of a plot:
I Was Thisclose to The Batpod


















