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Sunday
14Dec2008

Box Office - 'Earth Stood Still' is Number One, But...

The hits keep on coming for Fox, and that's a bad thing. The studio, already reeling from a year full of major disappointments like Meet Dave, The X Files: I Want to Believe, City of Ember, Australia, Babylon A.D., Deception, and Mirrors, has one more ticking time bomb on its hands: The Day the Earth Stood Still.

The science fiction remake simply didn't make enough money in its debut to call itself a smash, and it might not recoup its $80 million budget in American ticket sales. A $31 million debut would normally be a good thing, but for a studio that is thanking its lucky stars that The Happening made a little bit of money this summer and can call What Happens in Vegas its crown jewel this year, Fox needed a lot more out of it.

The Day the Earth Stood Still was easily the top movie in theaters, but it fell well below projections for its opening weekend, and doesn't resemble a movie that will be a strong contender for very long.

Speaking of strong contenders, Four Christmases, Bolt, and Twilight spent their third weekend bunched together, and Bolt now appears very likely to break $100 million in a couple of weeks, which was not a sure thing when the film was released.

The Top Five:
1 - The Day the Earth Stood Still ($31 million)
2 - Four Christmases ($13.3 million)
3 - Twilight ($8 million)
4 - Bolt ($7.5 million)
5 - Australia ($4.3 million)

Much of the attention right now is on the Golden Globe nominees and Oscar hopefuls in limited release. Milk is back in the top ten, with a total box office of over $7 million. That's a fantastic number considering it's only in 328 theaters.

Box Office Mojo also reports that Slumdog Millionaire is inching closer to a top ten appearance. With word of mouth spreading a lot faster than the available number of theaters, Slumdog has made $8 million in the past month, and it's in fewer than 200 theaters.

Frost/Nixon, Doubt, Gran Torino, The Reader, and Che dominated the per-screen averages this weekend, with Eastwood's Torino leading the pack, raking in over $47,000 per screen.

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