Stan Winston: 1946-2008
Tuesday, June 17, 2008 at 2:56PM This week, the movie industry lost a legend. And you hear words like "legend" and "genius" thrown around all the time. Usually it just denotes someone whose name you know and out of respect, they are given the attribution. In the case of Stan Winston, however, it's only the beginning. A special effects master, Winston redefined the way we look at the movies with his designs, many of which could have never been done before him and many of which have spawned imitators (the dinosaurs in Jurassic Park) that still pale in comparison to what he created years earlier.
My friend for the past two decades, Christian Carvajal, sent me the following remembrance, and I'm more than proud to share his thoughts with you. Christian knows his movies, has written eloquently about them, and I know he much he respected Mr. Winston.

I was moved to post the following
as a MySpace bulletin, mostly because the mainstream news has practically
ignored Winston's death two days ago from cancer, leaving the story to fansites
like Ain't It Cool News. I hope you can use it. Many of your readers probably
frequent that site, so you saw the shocking headline last night. It's shocking
because to movie geeks, Stan Winston seemed eternally youthful.
He was one of those figures we grew up with, starting with prestige telepics
like The Autobiography of Miss Jane Pittman and Roots. He
contributed the memorable dog creature to John Carpenter's
The Thing, but he probably made his first
indelible impression on our fantasy life when he designed and created
The Terminator with James Cameron.
If you grew up as I did, loving sci-fi and fantasy movies in the '80s and'90s,
then Stan Winston was the designer of your dreams. We got to know him from
interviews on many of the DVDs in our collections, because he was instrumental
in their creation.
He did great work in movies that weren't very good (Congo, The Relic,
Small Soldiers, AI), and his creatures seemed to raise some films
a whole letter grade (Predator, The Monster Squad, Big Fish).
And then there were the classics.
If you have vivid memories of the dinosaurs in Jurassic Park and its
sequels, then you know the genius of Stan Winston Studios. He was probably the
most significant figure in the integration of live animatronics with
computer-generated imagery, starting with Jurassic Park and continuing
through landmark work in Starship Troopers and the Terminator
sequels.
He even directed, including the cult favorite horror flick
Pumpkinhead and the Universal Studios
attraction T2 3-D: Battle Across Time.
For years I wore a T. rex T-shirt designed by 'Crash' McCreery, an artist at
Stan Winston Studios. I probably have a dozen examples of his work in my movie
collection. So do you.
And one of the great experiences of my life was a visit (for Cinefex) to
a special effects facility in L.A. called Digital Domain, a company founded by
Stan Winston and James Cameron. I never had the pleasure of meeting Mr. Winston
in person, but I have met many industry professionals who knew him and their
praise was always effusive and heartfelt. I have reason to believe he was a
hell of a guy.
He was also one of the great cinematic magicians of the twentieth century and
beyond. His passing should be noted, his work celebrated, and the loss of both
mourned. Art is genius. Engineering is wizardry. Stan Winston was the
absolute pre-eminent master of both in the world of onscreen fantasy, and
without him, the population of film's universe will be a hell of a lot less
colorful and exciting.











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