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Friday
23Oct2009

Movie Review - 'Coco Avant Chanel'

Coco Avant Chanel

Starring Audrey Tautou, Alessandro Nivola, and Benoît Poelvoorde
Directed by Anne Fontaine
Rated PG-13



cocoposter.jpg In her performance as Coco Chanel, you can see the wheels turning with Audrey Tautou, the gamine French actress who made such an indelible mark on audiences eight years ago in Amélie. That's not to say you can see her acting. For a recent example, watch Hilary Swank in another bio-pic about an important woman from the first half of the 20th century.

With Tautou, as it perhaps was with Chanel, you can see her navigating the chess pieces, from the clothes to the actors. The portrayal is vastly different from Amélie, a determination for herself and for those around her.

However, this is called Coco Avant Chanel, so the arc of the story leads up to Chanel's great success, so the determination Coco sees is probably far different here than it would be in the next chapter of her life. There is a matter-of-fact attitude about Tautou's work, one that is also embodied in Chanel's work; after all, she liberated women from those pageants of inefficient, cumbersome design of the 19th century, delivering time and again on her ethos, "simplicity is the keynote of all true elegance."

There was nothing simple about her life, however. She dared to be different, but not for the sake of being different. As a result, we know something of the rest of her story. But those early years, a woman bent on making something out of herself but not knowing precisely what that would be, are pretty revealing, even though we lose the golden era. It might be good to go back in a few years and give that significant piece in time its own film, too.

If that happens, I wouldn't mind a reunion between Tautou and director Anne Fontaine. That's not because this film is perfect, but because it's imperfect and feels as though it would take on greater significance as part of a larger story. There's really nothing wrong with it; it just feels unfinished, as if the best is yet to come.

We get a sense for how Chanel drove herself in life and in love, though love doesn't expressly mean romantic relationships in her world. There's plenty of that as well, if you're interested. Tautou shares a few great scenes with Alessandro Nivola, portraying English polo player Arthur "Boy" Capel. In addition to their decade-long affair, he was one of the major influences on her style.

But the men seem to be - in both the movie and in the characterization of Coco Chanel - something of a distraction. And it's played the right way here.

The movie would ebb and flow on the strength of Tautou's performance. Most American audiences haven't seen her in anything but Amélie or The Da Vinci Code, a film in which she clearly looks uncomfortable. There are a few others to catch her in, like Stephen Frears' Dirty Pretty Things or her follow-up with Amélie director Jean-Pierre Jeunet, A Very Long Engagement.

More often than not, it is her vulnerabilities that wrap you up, but here it's her strength and desire. Chanel has weaknesses, yes, but we aren't endeared to them. So that makes Coco something of an anti-Ameile.

Primarily of interest to those already with an interest in the designer (although a sequel banded together with this one might be more serviceable in general), Coco Avant Chanel strikes out a few times, something a full bio-pic would allow Fontaine to dispense with.

What's good is really good, however. Tautou is strong, the costumes, as you would expect, are unmissable, and the look and feel is all very authentic. But like Chanel's designs, its elegance is simplicity, and it could use a few more ribbons and bows somewhere.

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