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Friday
20Nov2009

Movie Review - 'The Messenger'

The Messenger

Starring Ben Foster, Woody Harrelson, and Samantha Morton
Directed by Oren Moverman
Rated R



messengerposter.jpg The best parts of the Mel Gibson Vietnam film We Were Soldiers did not take place on the battlefield. Instead, they were the quiet moments when the bad news was delivered to loved ones that a soldier was killed in action. And it's an interesting perspective to see if you've never really thought about it, particularly in that environment, where it is balanced with the a different kind of savagery altogether.

Or so I thought at the time. And now I've seen The Messenger.

Centered on the unenviable task at hand and the relationships these soldiers forge with each other and - in a turn of events that is strictly against protocol - the next of kin (stripped of its emotional impact by the military abbreviation NOK), The Messenger is a poignant film without wringing the tears out of you at every opportunity. And it features very strong performances by Ben Foster, Woody Harrelson, and Samantha Morton.

Staff Sgt. Will Montgomery (Foster) is new to the job, and is obviously not prepared for what it entails. The first rule of delivering this news to the next of kin is to never make physical contact with them, which could be for personal safety, emotional distance, or both. He is shown the ropes by grizzled veteran Capt. Tony Stone (Harrelson), who we can imagine was a lot like Montgomery once upon a time, before the rigors of the job turned him into something else, someone more mechanical, and probably because he had no choice.

The conflict arises from a meeting that has unexpected fallout: Montgomery tells Olivia (the always strong Samantha Morton) that her husband was lost in battle and she reacts in an unusual way: She feels sympathy for her messenger, forced to to be forever linked with the deaths of all of these soldiers. What's the protocol for that kind of response?

Despite the in-your-face nature of this high-wire act, co-writer and director Oren Moverman manages to keep The Messenger well-paced, not overwrought, and incredibly effective. Weariness is woven throughout the story and through the characters, all of them having taken a few too many blunt hits in our short time together.

We are not normally wowed by the performances of Woody Harrelson, and that's not a bad thing. He isn't Daniel Day-Lewis, nor is ever trying for that. But we are usally not disappointed by him in anything, even when the movies misfire. It is unlikely anyone who watched his first episode of Cheers imagined he'd be around almost 30 years later, much less earning our respect by taking roles like Capt. Stone and reminding us again how much he can do without making it look like he's trying.

Morton has quietly established herself as one of the best character actresses around. A two-time Oscar nominee, Morton tends to avoid bigger films for greater opportunities to broaden her range, and what a difficult role she has chosen here. There are moments during The Messenger when we're not entirely sure how we feel about her, and that ambiguity is more difficult to process as a viewer - and an actor - than pure good or bad.

But even with those portrayals, this movie belongs to Ben Foster. His signature role to this point was probably a supporting turn of the kind of pure evil I just described in the 2007 western 3:10 to Yuma. The talent was apparent, and has been ever since, even though Foster has been scrambling for a role to match his intensity and clarity. And this is the one.

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