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Friday
20Mar2009

Movie Review - 'The Great Buck Howard'

The Great Buck Howard

Starring Colin Hanks, John Malkovich, and Emily Blunt
Directed by Sean McGinly
Rated PG



buckhowardposter.jpg There are times when your interest in a movie is raised just by part of the central premise. A couple of years ago, I was inrigued to see a movie called Colour Me Kubrick because John Malkovich was playing a con man passing himself off as reclusive director Stanley Kubrick. He'd say he was the man behind 2001 and Dr. Strangelove and tell bar patrons he needed more money to make his next film, and leave check in hand.

That was based on a true story, actually, but the film didn't improve on it.

This year, my interest in The Great Buck Howard was heightened by the notion of Malkovich playing a washed-up mentalist trying to mount a pop culture comeback. The character is based on The Amazing Kreskin, who marveled television audiences with his feats of the hard to explain.

Writer-director Sean McGinly praises Kreskin in the closing credits for his film; that's not a surprise, considering this movie is a fictionalized account of McGinley's time working with Kreskin, which is why the real story here is not about the mentalist but rather the man who discovered himself through working with the downtrodden cabaret showman.

Troy Gabel (Colin Hanks) is a law school dropout, and without much direction in his life, takes a job as a road manager for Buck Howard, a performer he's never heard of. Howard is, as you might expect, an unusual cat. He's well-tailored but cheap, typically mild-mannered but likely to explode at any moment for any reason, and has a sexuality that's hard to gauge.

"Is he gay," asks public relations maven Valerie Brennan (Emily Blunt). Troy doesn't know the answer. Years later, TV director Jonathan Finerman (Griffin Dunne) asks Troy, "Is he gay?"

It's another great creation by Malkovich, but in telling his story, McGinly makes too many things around Howard and Troy too quirky and too prevalent. As much as I admire Steve Zahn, there's an entire subplot with Zahn as a hired driver that distracts from what should be a real thrust of the movie: Buck Howard's attempt to break a world hypnosis record in Cincinnati.

But because the film explores another personal relationship (and a one-sided relationship, at that), the very reason I was most interested in seeing this film and perhaps the reason most people would be only takes a few minutes of screen time and doesn't have anything close to the impact it should.

Still, Malkovich does what Malkovich usually does, and as a result, there are some very memorable moments here. He and Hanks work together well, and Hanks continue to prove that he can be a reliable comedic lead. But "great" is probably too strong a word in this case.

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