Monday
01Jun2009
'Dark Knight' Marketing Up for 16 Key Art Awards
Monday, June 1, 2009 at 1:23PM
We got a lot of mileage out of our list of the best movie posters of 2008. For about three months, it was one of our most visited stories. The reason? People dig movie posters. And the awards that honor the best creations in that field will be handed out on June 12th in Los Angeles. The nominations for the Key Art Awards have been announced and, not surprisingly, The Dark Knight picked up the most nominations.

It's not just the second-biggest movie ever, The Dark Knight is also very likely the best marketed movie of all time. So many posters, trailers, online banners, viral campaigns, and TV spots flooded the market in the first six months of 2008 and somehow, the Batman sequel still managed to peak right before it was released, rather than a couple weeks too soon.
Several posters have been nominated - the first teaser poster, the Joker cards, and naturally, "Why So Serious?" That last one is an all-timer. The Key Arts also award trailers, theater standees, billboards, TV commercials, DVD box art, website design, and more. Why is this stuff important? Because if a trailer or a poster looks terrible (or in the case of Body of Lies, both), people aren't as inclined to see it.
In all, The Dark Knight earned 16 nominations - beating Wall-E by one - and the credit goes to the agency behind it all, Ignition, which picked up 41 nominations. The Hollywood Reporter will present the awards at the Geffen Contemporary in Los Angeles on the 12th, and it will not be hosted by Andy Samberg.

Colin Boyd |
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Reader Comments (2)
Hollywood walk over to "Ignition" and ask them for a number, the biggest number they can think of, and write them a check for that amount, you can afford and they clearly deserve it.
Poor Body of Lies ...dragged out from obscurity for one last humiliation. Really now Mr. Boyd, hasn't it died a painful enough death without your giving it another mention? Marketing without a doubt can make a movie or break one but I think in the case of Dark Knight it had anticipatory momentum that pushed it far ahead of any advertising impressions. I've also seen movies that had lackluster posters do exceptionally well at the box office so marketing isn't the end all be all. Body of Lies could have benefited from a stronger/slicker ad campaign but I wonder if it was just a matter of the studio not really seeing a huge return and not wanting to over extend themselves in marketing it. Is there some sort of metric out there that gauges the effectiveness of film marketing?