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Friday
21Aug2009

Movie Review - 'The Baader Meinhof Complex'

The Baader Meinhof Complex

Starring Moritz Bleibtreu, Martina Gedeck, and Johana Wokalek
Directed by Uli Edel
Rated R



bmcposter.jpg I appreciated The Baader Meinhof Complex far more than I enjoyed it. Having not grown up in the 1960s, so many of the events that shaped the 40 years or so that have followed them are shared by younger generations through archival footage, not emotional memories.

For example, the only two images of Robert Kennedy that resonate with me are of him on the stage after winning the California primary and moments later after being shot. My frame of reference for most of these things looks like a TV screen.

It's even foggier for non-American history in the 60s, which has to be the most tumultuous decade since World War II. Vietnam, Che Guevara, the Soviet invasion of Czechoslovakia, much of the second half of Billy Joel's "We Didn't Start the Fire" exist to many of us only so much as we've bothered to research them.

In April 1968 - a year many point to as the apex of countercultural revolution around the world - two West German communists, Andreas Baader and Gudrun Ensslin detonated bombs in two department stores. Manifestos followed, as did a 30-year clash with the German government, leaving many on both sides dead, others imprisoned, and a nation cautious about the next moves. Communism was expressly forbidden in West Germany, having something to do with a giant wall bisecting Berlin.

The rise of the Baader Meinhof Group, alternately known as Red Army Faction, echoed what a lot of younger Germans believed were institutionalized racism, colonialism, and even sexism in the national government. In part, that's because many elected officials had been members of the Nazi party, so the young revolutionaries were also making a statement about those in power along with the power they wielded. That doesn't justify blowing up buildings and carrying out political assassinations, but there you go.

Chronicled here is a wide-reaching history of violence, bloodsheed, and political unrest, married unhappily to personal relationships. Yes, it's good to have well-rounded characters, but overall, The Baader Meinhof Complex just feels like it's bitten off more than it can chew. It's hardly ever expedient, dwells entirely too long on several plot points, and never sees that it has to take us through the 1977 German Autumn incident, which on its own would make for a feature length film.

Most of the principals do very good work, so in one sense, it's hard to criticize director Uli Edel for not punching up the script into a shorter version. You'd almost certainly lose some of the depth that way. Most prominently, pay attention to the three leads, Martina Gedeck as Ulrike Meinhof, Moritz Bleibtreu as Baader, and Johanna Wokalek as Ensslin. They're uniformly compelling, and Wokalek in particular displays a real confidence about her character.

The production looks and feels authentic, mixing a little archive footage here and there to underscore our trip back in time. The design and art direction are top notch, and the soundtrack evokes the 1960s without pounding us over the head with song after song from the Billboard charts of the years in question.

But it still feels much longer than its 150 minutes. For American audiences, who typically don't like subtitles anyway, the combination of the length, the language, and the unfamiliarity with the subject may be a lot to commit to, especially when trying to follow a complex and important story.

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